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	<title>Dominique Rivard</title>
	<link>https://dominiquerivard.com</link>
	<description>Dominique Rivard</description>
	<pubDate>Mon, 14 Nov 2022 10:56:02 +0000</pubDate>
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		<title>Index</title>
				
		<link>https://dominiquerivard.com/Index</link>

		<pubDate>Mon, 14 Nov 2022 10:00:16 +0000</pubDate>

		<dc:creator>Dominique Rivard</dc:creator>

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		<description>
	Activités récentesRecent activities
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
2025
Avril&#38;nbsp; &#38;nbsp; &#38;nbsp; SeptembreNovembre&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;
&#38;nbsp; &#38;nbsp; 


	 



Recherche et écriture, Sweeney’s Bothy, Isle of Eigg (UK)Vitrine littéraire, À l’est de vos empires, Québec (CA)
La chenille de la machine, texte dans la revue Tristesse #10,&#38;nbsp;Québec (CA)

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		<title>Informations</title>
				
		<link>https://dominiquerivard.com/Informations</link>

		<pubDate>Mon, 14 Nov 2022 10:00:16 +0000</pubDate>

		<dc:creator>Dominique Rivard</dc:creator>

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Vit et travaille à Glasgow (UK) et à Montréal (CA).
Née au Québec1990— 


CV Français 
CV English


Instagram
Brise-glaceContact



	Artiste et autrice, j’exerce ma pratique poétique à travers les champs de l’écriture, de la photographie, de l’art visuel et du graphisme. En 2021, j’ai complété ma maîtrise à la Glasgow School of Art (Royaume-Uni) avec distinction. Mes projets et livres d’artistes ont été présentés au Canada, au Royaume-Uni, en Allemagne, en Estonie et en France dans le cadre d’expositions individuelles et collectives, ainsi que dans des foires de livres. Mes essais et poèmes ont été publiés chez&#38;nbsp;Estuaire, Tristesse, Cigale et OMRI. En
2019, j’ai initié le projet d’autoédition Brise-glace dont les recherches abordent l'autofiction, l’image photographique et l’écriture erratique ayant pour visée l’élaboration d’une nouvelle nomenclature nordique.&#38;nbsp;Ma pratique interdisciplinaire gravite essentiellement autour de l’écriture, la
photographie et l’autoédition, mais aborde aussi la céramique, le dessin, la performance, la
vidéo et l'installation. Dans mes projets, j’emploie plusieurs
stratégies littéraires et visuelles pour expérimenter l’autofiction. Les textes
et les images (photographiques) à travers lesquels je me mets en scène composent des récits
sensibles et mouvants se situant à la rencontre du réel et de l’imaginaire.





En déformant, inventant et amplifiant mon vécu, je m’attarde à la mise en fiction de mes expériences personnelles pour élaborer des œuvres dans lesquelles les repères se profilent et s’effacent continuellement. La vérité et l’illusion sont des sujets intimement liés aux politiques de la représentation dans ma démarche autobiographique. La posture plurielle que j’adopte dans mes œuvres revendique la liberté d’explorer l’espace de l’imaginaire de la même façon que j’explore l’espace géographique : en étant sans cesse en mouvement. En ce sens, la relation avec le territoire et l’autonomie féministe habitent aussi intuitivement mes œuvres.




	Artist and writer, I span my poetic practice through the fields of writing, photography, visual art and graphic design. In 2021, I completed an MFA at the Glasgow School of Art (UK) with distinction. My projects and artists' books have been exhibited in Canada, the UK, Germany, Estonia and France in solo and group shows and book fairs. My essays and poems have been published by Estuaire, Tristesse, Cigale and OMRI. In 2019, I initiated the self-publishing project Brise-glace whose research deals with autofiction, photographic image and erratic writing aiming at the development of a new Nordic nomenclature.My multidisciplinary practice revolves mainly around writing, photography and self-publishing but also includes ceramics, drawing, performance, video and installation. In my project, I use several literary and visual strategies to experiment with autofiction. The texts and (photographic) images through which I stage myself compose sensitive and moving narratives situated at the meeting of reality and imagination. By distorting, inventing and amplifying my life events, I focus on the fictionalization of my personal experiences to elaborate works in which the reference points are continually emerging and disappearing. Truth and illusion are subjects intimately linked to the politics of representation in my autobiographical process. The plural posture I adopt in my work asserts the freedom to explore the space of the imagination in the same way I explore geographical space: by being constantly on the move. In this sense, the relationship with the territory and feminist autonomy also intuitively inhabit my work.

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	© tous droits réservésLe contenu de ce site, images et textes, ne peut être reproduit sans l'autorisation de l'artiste.
	© all rights reservedThe content of this website, images &#38;amp; text, may not be reproduced without the artist permission.
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		<title>l'absence (2022)</title>
				
		<link>https://dominiquerivard.com/l-absence-2022</link>

		<pubDate>Mon, 14 Nov 2022 10:56:02 +0000</pubDate>

		<dc:creator>Dominique Rivard</dc:creator>

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	l’absenceL’ABSENCE se penche sur la périgrination performative de Rivard sur la Côte-Nord du Québec. Dans la répétition des saisons qui passent et fuient, l'absence devient à la fois un référent spatial et social. Dans le poème servant d’amorce au récit visuel, Rivard révèle en l'absence sa capacité à incarner un lieu pour s'inventer illimitée, puisque toujours ailleurs. La série photographique raconte son périple dans la saison froide, où l'absence se transforme en repère pour l'artiste : l'absence, un royaume qui, invisible, se définit à perpétuité. Comparable à un journal de bord, les images explorent les spécificités propres à l'idée d'un lieu et au fait de se raconter.Cette publication est la réédition de&#38;nbsp;l'absence (2018).
Texte et design : Dominique Rivard / Révision du texte : Laurence Olivier / Nombre de pages : 48 / Format fermé : 18,5 cm X 28 cm / Typographie : Genath, Apercu / Langue : Français / Reliure : Brochée et élastique / Techniques d’impression : Impression numérique et risographie (couverture) / Impression : Sunday’s Print Service, Mixam / Papiers : Vanguard Jade 300 mic, Gallery Gloss 130 gsm / Circulation : 200&#38;nbsp; exemplaires / Parution :&#38;nbsp; 2022 — Glasgow
ENGLISHL'ABSENCE examines Rivard's performative wanderings on the North Shore of Quebec. In the repetition of the passing and fleeing seasons, the absence becomes both a spatial and social referent. In the French beginning poem, Rivard reveals in the absence her capacity to embody a place in order to invent herself unlimited, since always elsewhere. The photographic series recounts her journey into the cold season, where the absence becomes a location for the artist: the absence, a realm that, invisible, defines itself in perpetuity. Comparable to a logbook, the photographies explore the specificities of the idea of a place and the act of telling oneself.

	Commander le livre &#124; Buy the book



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		<title>Be Your Own Muse</title>
				
		<link>https://dominiquerivard.com/Be-Your-Own-Muse</link>

		<pubDate>Fri, 22 Oct 2021 13:32:39 +0000</pubDate>

		<dc:creator>Dominique Rivard</dc:creator>

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Be Your Own Muse
Be Your Own Muse: Through the Splinters of One’s Labyrinth est un livre d’artiste, un journal de bord poétique, un essai littéraire et un manifeste féministe. Le texte, en langue anglaise, se penche sur l’autofiction par l'errance entre différents labyrinthes de glace, où l'écriture du soi et de l'autre se déploie via l'entrelacement de multiples voix féminines littéraires (Clarice Lispector, Jenny Hval, Rebecca Solnit, Nancy Huston, Marlen Haushofer). La publication travaille l'exploration des motifs de l'artiste par une fréquentation des solitudes, des spatialités, des géographies intimes et des territoires plus vastes, imaginaires et réels. 
Texte et design : Dominique Rivard / Traduction : Zoé Fauvel / Révision : Catherine Anne Laranjo / Nombre de pages : 106 / Format fermé : 5 pouces x 7 pouces / Typographie : Minion Pro, Atlas Typewriter / Langue : Anglais / Reliure : Allemande / Techniques d’impression : Risographie, impression numérique et letterpress embossé (couverture) / Papiers : Olin Design Rough High White 90gsm, Gallerie Gloss 115gsm, ColorPlan Racing Green 270gsm / Circulation : 300 &#38;nbsp;exemplaires (numérotés) /&#38;nbsp;Parution : Décembre 2021 — GlasgowENGLISH
BE YOUR OWN MUSE is an artist's book, a poetic diary, a literary essay and a feminist manifesto. The text, in English, questions the autofiction and the fragmentation of the self by wandering through different labyrinths of ice, where the writing of the self and the other unfolds through the interweaving of multiple female literary voices (Clarice Lispector, Jenny Hval, Rebecca Solnit, Nancy Huston, Marlen Haushofer). The publication explores the artist's motifs through a frequenting of solitudes, spatialities, intimate geographies and wider territories, both imaginary and real.


	Commander le livre &#124; Buy the book



















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		<title>Endangered Bedrooms</title>
				
		<link>https://dominiquerivard.com/Endangered-Bedrooms</link>

		<pubDate>Tue, 28 Sep 2021 09:05:40 +0000</pubDate>

		<dc:creator>Dominique Rivard</dc:creator>

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	Endangered BedroomsIn the light of the match, one thing is clear:
the night will sit forever on the seabed.
Here, you must carry your fire from cave to cave.Endangered Bedrooms: the fossils and the sheets are rooms remembered, through the marks and fractures left, in the fragile foldings of morning. The photobook interweaves self portraiture and still life, interrogating the glass like presence of these spaces, by which the passage of time and dwelling of place inscribes its own purpose: the direction of stone and sleep. In the waking hour, a journey transpires theatrically and photographically as a means to protect the soft and glacial nature of these sleeping spaces.
Photographies et texte : Dominique Rivard / Design : Jeroen Cavents / Pages :&#38;nbsp; 48 / Circulation :&#38;nbsp; 1 / Typographie : &#38;nbsp;Anonymous Pro / Parution :&#38;nbsp; Août 2021 — Leipzig



	
Curator: Jeroen Cavents

Artists: Dominique Rivard, Francis Nowak, Guy Eytan, Jeroen Cavents, Joris De Hondt, Laura Aponte, Luka Van der Cruyssen, Orgil Oyundelger, Raf Wollaert, Zoé FauvelPrinted and bound by Buchbinderei Leipzig

Documentation images: Jeroen Cavents
Bedeutungsgeflecht is a curatorial project conceived in the framework of Cultures of the Curatorial programme at the Academy of Fine Arts Leipzig. The project consists of multiple books in a modular open-source format that can be merged together as interleaved books.
The project aims at questioning narrative book structures, the position of author, reader and subject, and seeks to experiment with the medium of a book as a curatorial and inspirational device. It cuts loose from authorial or unambiguous curatorial intentions and underlines the importance of gaps in between the material and the attempts to stitch them together.Artists and writers were invited to design a book in a standard format, using the same specific font, page size and number of pages. The participants were free to use any medium such as text, poetry, found footage, photography, drawings etc. Contributors were encouraged to use a broad variety of different (artistic) languages. The project results in a collection of artist books not intended as an organic whole or to be read in a specific order.



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Bedeutungsgeflecht was presented at Short Dated in Galerie Stephanie Kell (Dresde, DE) from 26 - 29 August 2021.Short Dated:Pop-up-Store for artist books and magazines
The concept of the Pop-up-Store transforms the gallery into a curated book space; a hybrid that is both exhibition and sales space. This transfunctional character weaves itself like a thread through to the exhibits: The book as an artistic medium functions on one hand as a means of artistic expression and on the other hand as a mediator of knowledge. To be observed as a work of art in its own right, the artist’s book becomes the object of a concept transcending the boundaries of the book. Under the premise of temporality and the deliberate detachment from clear structures, Dresden is receiving a contact point that has hitherto remained virtually unconsidered – artistic publishing.

	Credits photographs: Kerstin Flasche
Galerie Stephanie Kelly 

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		<title>Hivernage</title>
				
		<link>https://dominiquerivard.com/Hivernage</link>

		<pubDate>Fri, 22 Oct 2021 13:27:45 +0000</pubDate>

		<dc:creator>Dominique Rivard</dc:creator>

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	Hivernage
HIVERNAGE raconte une première distance avec l’hiver québécois : entre l’attente d’une personne incarnée par une saison et l’attente d’une saison représentée par une personne. La publication se classe à la rencontre entre une lettre d’amour, un livre photo, un poème exponentiel et une myriade de techniques d’impression.
Images, texte et design : Dominique Rivard / Nombre de pages : 16 / Format fermé : 20,5 cm &#38;nbsp;x 14,8 cm / Typographie : Apercu, Plantin / Langue : Français / Reliure : Cousue (machine à coudre Singer) / Techniques d’impression : Impression numérique, risographie, découpage laser / Couverture : sérigraphie et embossage / Circulation : 40 &#38;nbsp;exemplaires (numérotés) / ISBN : 978-2-9815595-24 / Parution :&#38;nbsp; Décembre 2020 — Glasgow
ENGLISHHIVERNAGE recounts a first distance with the Quebec winter: between the expectation of a person embodied by a season and the expectation of a season represented by a person. The publication is a cross between a love letter, a photo book, an exponential poem and a myriad of printing techniques.

	Commander le livre &#124; Buy the book
Coup de cœur BAnQ 2021 – Décerné par le comité d’acquisition des livres d’artistes de Bibliothèque et Archives nationales du Québec (BAnQ)
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		<title>l'absence (2018)</title>
				
		<link>https://dominiquerivard.com/l-absence-2018</link>

		<pubDate>Fri, 18 Jan 2019 18:46:36 +0000</pubDate>

		<dc:creator>Dominique Rivard</dc:creator>

		<guid isPermaLink="true">https://dominiquerivard.com/l-absence-2018</guid>

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	l’absence
l'absence se penche sur la périgrination performative de Rivard sur la Côte-Nord du Québec. Dans la répétition des saisons qui passent et fuient, l'absence devient à la fois un référent spatial et social. Dans le poème servant d’amorce au récit visuel, Rivard révèle en l'absence sa capacité à incarner un lieu pour s'inventer illimitée, puisque toujours ailleurs. La série photographique raconte son périple dans la saison froide, où l'absence se transforme en repère pour l'artiste : l'absence, un royaume qui, invisible, se définit à perpétuité. Comparable à un journal de bord, les images explorent les spécificités propres à l'idée d'un lieu et au fait de se raconter.

Texte, photographies et mise en page: Dominique Rivard / Révision : Laurence Olivier / Pages : 48 / Circulation : 100 (ÉPUISÉ / Format fermé : 7 pouces x 9 pouces / Reliure : Brochée à cheval / ISBN : 978-2-9815595-1-7&#38;nbsp; / Édition : Autopublié / Impression : Katasoho / Typographies : Genath, Apercu / Parution :&#38;nbsp; 2018 — Montréal

	



	</description>
		
	</item>
		
		
	<item>
		<title>Carnet des tempêtes</title>
				
		<link>https://dominiquerivard.com/Carnet-des-tempetes-1</link>

		<pubDate>Fri, 18 Jan 2019 18:46:37 +0000</pubDate>

		<dc:creator>Dominique Rivard</dc:creator>

		<guid isPermaLink="true">https://dominiquerivard.com/Carnet-des-tempetes-1</guid>

		<description>
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	Carnet des tempêtes

	Dans ce recueil, Dominique Rivard emprunte une langue tempête pour cartographier les errances, le rythme cyclique des saisons et l’inévitabilité de la météo. Entre l’odeur de la glace et le craquement humide de l’épinette, l’autrice recense les aventures troubles qui germent sur le chemin de la nordicité et de l’éloignement. Elle offre alors une puissante réflexion sur le paradoxe de la solitude et de l’affect dans un contexte de mouvance.Texte et photographies :&#38;nbsp; Dominique Rivard / Design et mise en espace livresque : Éliot B. Lafrenière / Pages : 134 / Circulation : 350 + 200 (réimpression) / ISBN : 978-2-9816103-2-4&#38;nbsp;/ Édition : OMRI / Typographies : New Rail Alphabet / Parution :&#38;nbsp; Décembre 2017 — Montréal

	Commander le livre
</description>
		
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	<item>
		<title>Parce que l'espace comme milieu des sublimes possibles</title>
				
		<link>https://dominiquerivard.com/Parce-que-l-espace-comme-milieu-des-sublimes-possibles</link>

		<pubDate>Fri, 18 Jan 2019 18:46:38 +0000</pubDate>

		<dc:creator>Dominique Rivard</dc:creator>

		<guid isPermaLink="true">https://dominiquerivard.com/Parce-que-l-espace-comme-milieu-des-sublimes-possibles</guid>

		<description>
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Parce que l’espace comme milieu des sublimes possibles
Poésie juvénile sur les exaspérations frénétiques qui exhalent entre les baisers de dodge caravan goûtant au mieux l’asphalte, sinon la poussière de soleil.j’ai ratémon bateau qui parttout le tempsde n’importe oùaller dériver en neigepour le concours de dessinsj’ai rien gagné


Texte, photographies et design :&#38;nbsp; Dominique Rivard / Pages : 199 / Circulation : 60 (ÉPUISÉ / ISBN : 978-2-9815595-0-0 / Édition : Autopublié / Format : 5 x 8 pouces / Reliure : Allemande / Imprimeur : Le Caïus du livre&#38;nbsp;/ Typographies : Minion Pro, Apercu / Parution :&#38;nbsp; Décembre 2015 — Montréal

	
	
	























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		<title>Autoportraits</title>
				
		<link>https://dominiquerivard.com/Autoportraits</link>

		<pubDate>Tue, 03 Dec 2019 22:23:58 +0000</pubDate>

		<dc:creator>Dominique Rivard</dc:creator>

		<guid isPermaLink="true">https://dominiquerivard.com/Autoportraits</guid>

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	Autoportraits (2016 — en cours)




















Je photographie des autoportraits dans différents paysages.
Ce sont généralement des images montrant une représentation de moi-même, seule et centrée dans un paysage
nordique, qui regarde droit devant elle. Ces photographies sont créées
avec des outils analogiques : un appareil photo moyen format, de la pellicule
120 mm et un déclencheur à distance manuel avec fil. Ces images sont réalisées
au gré de mes déplacements dans différentes régions du Québec. En effet, durant
les cinq dernières années, j'ai intentionnellement vécu en mouvement, alternant
de manière cyclique de lieux de vie entre Montréal, Natashquan, Baie-Comeau,
l'Île d'Anticosti et Fermont.







Ma pratique de l’autoportrait vise à évoquer la narration fictive de l’être en mouvement. J’amplifie cette idée par l’autoportrait dans le paysage, dans l’errance, dans l’impermanence. La photographe dans l'image, dans l'espace, raconte un territoire qui évolue dans le naturel du paysage et de l'intime. J'incarne l'éparpillement volontaire dans l'espace et dans l'image.

Par quelles manifestations la présence et l’errance s’affectent-elles? Quelle est la nature des empreintes laissées par le mode de vie nomade? En quoi le sentiment d’identité est-il un mouvement, un processus où les conditions d’existence le changent et l’influent en simultanéité?
	Certaines de ces oeuvres photographiques on été présentées dans l’exposition individuelle&#38;nbsp;Être
dans ce qui s'en va (La Virée de la Culture Côte-Nord à Baie-Comeau (CA), 2018), en couverture du roman
Le fond des choses&#38;nbsp;de Thomas Desaulniers-Brousseau (Herbes Rouges, 2021), en couverture de la publication The Northern Forest (Laboratoire international de recherche sur l'imaginaire du Nord, de l'hiver et de l'Arctique de l’Université du Québec à Montréal, Collection Isberg, 2022) et dans mon essai&#38;nbsp;Un grand froid l’accompagne&#38;nbsp;(Cigale, 2020).



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